Liliana Moro, born in Milano in 1961, where she lives and works.
Liliana Moro uses a variety of media – drawing, sculpture, video and performance – to portray a variegated world of humble materials and everyday objects. Through a formal play between fragility and force, Liliana Moro’s work unmasks aestetich and social conventions. In her work the world is reduced to to miniaturized measurements, where the use of sound and the pressure to look down are a way to involve and force the viewer to a spatial and temporal shift. This process serves to amplify the minimal and emotional perceptive slippage that resides in the back of our existence, leaving deep traces on the consciousness.
Liliana Moro is one of the most representative Italian artists of her generation. She has taken part in important international exhibitions, including Documenta IX, Kassel (1992); the XLV Venice Biennal (1993); PS1 New York (1999); the Valencia Biennal (2001); Palazzo delle Papesse, Siena (2002); Fondazione Ambrosetti, Palazzolo sull’Oglio, Brescia (2004); Centro per L’arte Contemporanea Luigi Pecci, Prato (2004); CCA Wattis Institute for Contemporary Arts, San Francisco (2005), Galleria Civica d’Arte Contemporanea di Trento; Galleria Civica, Modena (2006); Palazzo Reale, Milano; Italian Cultural Institute of Los Angeles; Tel Aviv Museum of Art (2007); c/o Careof and Via Farini, Milano; 15° Quadriennale d’arte di Roma, Palazzo delle Esposizioni, Roma; Palazzo Grassi, Venezia (2008).
Her works are included in important public and private collections: Castello di Rivoli, GAM of Turin, FNAC of Paris, FRAC Rhone-Alpes/Nouveau Musée, Villeurbanne, Lyon, Centro per l’Arte Contemporanea Luigi Pecci, Prato.
Liliana Moro uses a variety of media – drawing, sculpture, video and performance – to portray a variegated world of humble materials and everyday objects. Through a formal play between fragility and force, Liliana Moro’s work unmasks aestetich and social conventions. In her work the world is reduced to to miniaturized measurements, where the use of sound and the pressure to look down are a way to involve and force the viewer to a spatial and temporal shift. This process serves to amplify the minimal and emotional perceptive slippage that resides in the back of our existence, leaving deep traces on the consciousness.
Liliana Moro is one of the most representative Italian artists of her generation. She has taken part in important international exhibitions, including Documenta IX, Kassel (1992); the XLV Venice Biennal (1993); PS1 New York (1999); the Valencia Biennal (2001); Palazzo delle Papesse, Siena (2002); Fondazione Ambrosetti, Palazzolo sull’Oglio, Brescia (2004); Centro per L’arte Contemporanea Luigi Pecci, Prato (2004); CCA Wattis Institute for Contemporary Arts, San Francisco (2005), Galleria Civica d’Arte Contemporanea di Trento; Galleria Civica, Modena (2006); Palazzo Reale, Milano; Italian Cultural Institute of Los Angeles; Tel Aviv Museum of Art (2007); c/o Careof and Via Farini, Milano; 15° Quadriennale d’arte di Roma, Palazzo delle Esposizioni, Roma; Palazzo Grassi, Venezia (2008).
Her works are included in important public and private collections: Castello di Rivoli, GAM of Turin, FNAC of Paris, FRAC Rhone-Alpes/Nouveau Musée, Villeurbanne, Lyon, Centro per l’Arte Contemporanea Luigi Pecci, Prato.
